C.S. Lewis wrote this after his wife, Joy Davidman, died of cancer, and it reads nothing like the rest of his work. There’s no tidy theology here, no comforting resolution on schedule; it’s a man writing through rage, doubt, and despair almost in real time, questioning the faith that had structured his entire life. Lewis originally published it under a pseudonym because the material felt too exposed to attach his own name to. It’s a short book, easily read in one sitting, but it remains one of the most honest accounts of grief ever written, decades after its first publication.
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In StockC.S. Lewis wrote this after his wife, the American writer Joy Davidman, died of cancer, and it reads nothing like the rest of his body of work. There’s no tidy theology here, no comforting resolution delivered on schedule; instead it’s a man writing through rage, doubt, and despair almost in real time, questioning the very faith that had structured his entire intellectual and personal life up to that point. Lewis originally published the book under a pseudonym, Clive Hamilton, because the material felt too raw and exposed to attach his own well-known name to it, and only after friends recognized the voice did the authorship become widely known. The structure follows roughly four notebooks Lewis filled in the months after Davidman’s death, and the rawness of that format comes through; sentences trail off, contradictions sit unresolved, and the grief doesn’t follow a clean arc toward acceptance. It’s a short book, easily read in a single sitting, but it remains one of the most honest accounts of grief ever published precisely because Lewis refuses to perform composure. It’s stayed in print for more than sixty years because people in mourning keep finding themselves inside it. Many readers turn to it specifically.
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